
During a quarrel at a Scottish inn, Captain Gordon wounds another officer and flees to New York with detective Jenks on his trail. Once there, he meets Marjory Seaton, an heiress whom her Uncle Tidmarsh is trying to marry to the profligate Winslow, but she is interested in fashionable sportsman Sylvester. One night at a ball, Gordon spies Jenks following him and, in the course of his escape, accepts refuge from a fight promoter named Brooks. At Brooks' request, Gordon substitutes for Sylvester's opponent, burglar Deacon, at a charity bout, and knocks out the real pugilist. Later, during a dinner party at the Tidmarshes', Gordon is mistaken for a lord and, when the real nobleman appears, is denounced as an impostor. A lost film.
Platform catalog indices and licensed providers for The Fourteenth Man.
Brisk & Engaging
8 / 10
Uplifting Closure
Cinematic Narrative
Calculated narrative telemetry highlights notable thematic precision within Comedy. With an established critical baseline of 8.0/10, the plot emphasizes brisk & engaging pacing paired with an ending characterized by uplifting closure.
Low
Engagement barrierHigh-Velocity Acceleration
Story velocityHigh (Layered Nuances)
Hidden layers"Maintain active attention during the pivotal turning points. The narrative progression hinges on subtle thematic cues established in the first two acts before converging in the climax."
Contains complete plot revelations, climax analysis, and hidden clues for The Fourteenth Man. Proceed only if you have watched the finale.
Protect your online privacy and streaming security across devices.
Regional rights and catalog availability are subject to change by respective license holders. Affiliate links may provide commission to MOVIEINT.

Dwight Sylvester

★ 10.0