
Sartre's Nausea
Narrative Synopsis
This film has never been in distribution, and it’s arguably not a true Brakhage film, as it was made as a commission for a 1961 public television program on KRMA-TV in Boulder (but aired nationally), called Self Encounter: A Study in Existentialism, created and hosted by Hazel Barnes, an acclaimed scholar on the subject. This film was featured in an episode entitled “To Leap or Not to Leap”, originally broadcast on April 19, 1961. I’ve included Sartre’s Nausea in the main body of the filmography because despite its origin as a commissioned work to be incorporated into a show on existentialism, and even having no main title or credit on the film, Brakhage came back to this piece a few years later and used it to produce his 1965 film Black Vision. Black Vision was made by Brakhage from the print he had struck of Sartre’s Nausea, re-editing it and embellishing it with ink and scratching.
Streaming Availability & Discovery
Platform catalog indices and licensed providers for Sartre's Nausea.
Narrative DNA Intelligence
Dynamic Narrative Flow
9 / 10
Resonant Resolution
Cinematic Narrative
Calculated narrative telemetry highlights notable thematic precision within Cinema. With an established critical baseline of 10.0/10, the plot emphasizes dynamic narrative flow pacing paired with an ending characterized by resonant resolution.
Low
Engagement barrierStandard Rhythmic Build
Story velocityExceptional (Foreshadowing)
Hidden layers"Maintain active attention during the pivotal turning points. The narrative progression hinges on subtle thematic cues established in the first two acts before converging in the climax."
Spoiler Vault: Ending Decryption
Classified Climax & Ambiguity Breakdown
Contains complete plot revelations, climax analysis, and hidden clues for Sartre's Nausea. Proceed only if you have watched the finale.




