
Get Rid of Yourself is a video-film-tract addressed to those who anonymously embody the return of political activism within Empire. While its initial sounds and images were filmed during the riots in Genoa, 2001, these materials are pulled apart and recomposed in order to locate the intensity of a shared experience, rather than producing one more documentary version of the programmed and hyper-mediatized confrontation of the G8 counter-summit. Elaborating a complex and rhythmic form of address via sound/image disjunctions, cheap video effects and performance, the film declares its own exile from a biopolitical space-time where nothing ever happens. The crisis it announces is the sudden return of history, but this time without characters or a story, and of a politics without subjects.
Platform catalog indices and licensed providers for Get Rid of Yourself.
Slow-Burn Atmospheric
9 / 10
Resonant Resolution
Cinematic Narrative
Calculated narrative telemetry highlights notable thematic precision within Documentary. With an established critical baseline of 9.0/10, the plot emphasizes slow-burn atmospheric pacing paired with an ending characterized by resonant resolution.
Low
Engagement barrierStandard Rhythmic Build
Story velocityExceptional (Foreshadowing)
Hidden layers"Maintain active attention during the pivotal turning points. The narrative progression hinges on subtle thematic cues established in the first two acts before converging in the climax."
Contains complete plot revelations, climax analysis, and hidden clues for Get Rid of Yourself. Proceed only if you have watched the finale.

2017
"Shares deliberate speculative pacing, deep visual world-building, and existential cybernetic themes."

2016
"Parallels high-concept intellectual friction and emotionally anchored speculative climax structures."

2014
"Explores calculated technological tension and psychological manipulation between synthetics and creators."
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