
He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight
Platform catalog indices and licensed providers for The Song of Night.
Brisk & Engaging
8 / 10
Uplifting Closure
Cinematic Narrative
Calculated narrative telemetry highlights notable thematic precision within Comedy. With an established critical baseline of 8.0/10, the plot emphasizes brisk & engaging pacing paired with an ending characterized by uplifting closure.
Low
Engagement barrierStandard Rhythmic Build
Story velocityHigh (Layered Nuances)
Hidden layers"Maintain active attention during the pivotal turning points. The narrative progression hinges on subtle thematic cues established in the first two acts before converging in the climax."
Contains complete plot revelations, climax analysis, and hidden clues for The Song of Night. Proceed only if you have watched the finale.
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Pateggs Ehefrau
★ 8.5