
Max is a programmer, Nicoline is a chef, and they are both young, in love, and ambitious. Then lightning strikes: they have a baby. From that day on, nothing is ever the same again. Max, who has just been promoted, is certain he has everything well in hand. He has just invented the LifeOrganizer interactive personal scheduler designed to make life easier. But having to endure a baby with colic, piled-up washing and missed deadlines, Max and Nicoline's bachelor lifestyle is put to the test. There are only 24 hours in a day, or are there? With many wacky smiles and lashings of gallows-humour Peter Gren Larsen depicts the stressed out situation young couples face when baby throws a spanner in your career. Max and Nicoline go through an awful lot, including a trial separation, before they accept that kids change your life.


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Brisk & Engaging
6 / 10
Uplifting Closure
Cinematic Narrative
Calculated narrative telemetry highlights notable thematic precision within Comedy. With an established critical baseline of 6.1/10, the plot emphasizes brisk & engaging pacing paired with an ending characterized by uplifting closure.
Low
Engagement barrierStandard Rhythmic Build
Story velocityHigh (Layered Nuances)
Hidden layers"Maintain active attention during the pivotal turning points. The narrative progression hinges on subtle thematic cues established in the first two acts before converging in the climax."
Contains complete plot revelations, climax analysis, and hidden clues for Baby Doom. Proceed only if you have watched the finale.

2010
"Shares structured multi-tier stakes, cerebral narrative progression, and iconic rhythmic acceleration."

2014
"Mirrors sharp modern cinematography, intense tension, and an unrelenting moral perspective."

2010
"Parallels persistent paranoia, ambiguous narrative clues, and an earth-shattering climax."
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