
"Peter Brook’s provocative anti-Vietnam War 1960s protest piece."
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.




Platform catalog indices and licensed providers for Tell Me Lies.
Slow-Burn Atmospheric
6 / 10
Emotionally Piercing
Emotionally Grounded
Calculated narrative telemetry highlights notable thematic precision within Drama. With an established critical baseline of 6.4/10, the plot emphasizes slow-burn atmospheric pacing paired with an ending characterized by emotionally piercing.
Low
Engagement barrierMethodical Slow-Burn
Story velocityHigh (Layered Nuances)
Hidden layers"Maintain active attention during the pivotal turning points. The narrative progression hinges on subtle thematic cues established in the first two acts before converging in the climax."
Contains complete plot revelations, climax analysis, and hidden clues for Tell Me Lies. Proceed only if you have watched the finale.
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Avant-garde Actor